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Mad
Monster Party
Dir. Jules Bass, 1967, U.S.
Anchor Bay, $19.98 It’s
always difficult to revisit childhood favorites,
in whatever form they take—maybe it’s just the
disappointment in seeing a work emerge from the
hazy, obscuring glow of nostalgia. And I might
easily have suffered this problem with the DVD
release of the 1967 Halloween children’s movie,
Mad Monster Party?; fortunately, like most
of North America, I never actually viewed the
film in its entirety, and could charge forward
unimpeded by warm, misty memories.
Mad Monster Party? (I don’t understand
the question mark either) is a kooky, wild romp
of a movie told through the miracle of “Ani-Magic!”
(aka stop-motion animation). This jewel of puppetry
technique was created by Arthur Rankin, Jr. and
Jules Bass, the some-kind-of-geniuses behind another
holiday-oriented children’s classic, Rudolph,
the Red-Nosed Reindeer. Playing off the theme
that monsters can be wacky as well as bloodthirsty,
the story follows Baron Boris von Frankenstein
as he invites various monster figures unto his
evil island to send him forth into the land of
retirement and, of course, to party it up. Complications
arise when Dracula, Frankenstein’s Monster, the
Monster’s Mate, and the inappropriately voluptuous
“Francesca” all plot to steal the doctor’s secrets,
including his ability to destroy matter. A reluctant
hero arrives in the form of allergy-plagued nephew,
Felix Flanken, and the whole thing turns into
a big, fat monster blowout that climaxes in a
manner that could be a commentary on nuclear armament
if you really thought about it. And don’t worry,
they’ve worked in a pie fight, too.
Although classified as a musical, there’s only
a handful of songs throughout, and most are difficult
to make out and largely forgettable — no “Silver
& Gold” for these folks. The stop-motion is at
its usual herky-jerky best, though the movement
seems less clunky in this production than Rudolph.
This could be due to the fact that there was an
actual choreographer on the film. A human choreographer.
For puppets. The character design looks good,
which isn’t surprising when you learn Mad Magazine
maestro Jack Davis designed the creations, along
with a little assistance by the equally legendary
Frank Frazetta. It’s also amazing to note that
while Jimmy Stewart, Peter Lorre, and Sydney Greenstreet
all seem to make voiceover appearances, the only
authentic celebrity vocal talents are Boris Karloff
as the Baron and the always-grating Phyllis Diller
as the Monster’s Mate. That’s right; every other
voice (aside from Francesca) is provided by vocal
heavy-hitter Allen Smith. It’s nice to relive
a time before massive studio lawsuits, when the
likeness of an acclaimed actor like Peter Lorre
could be matched up to the character of, say,
a lecherous, femme man-servant named Yetch, and
everyone was comfortable with that.
With this kind of studio support and artistic
backing, it’s a wonder that Mad Monster Party?
never quite reached the perennial holiday cult
status of Rudolph. Due to an uneven initial
film release, and spotty distribution schedule,
Mad Monster Party? wasn’t regularly programmed
holiday after holiday like some other Rankin-Bass
productions. This led to a guessing game of when
the movie would appear in the holiday line-up,
and did nothing to lodge it within impressionable
kid minds of each generation.
Anchor Bay is hoping to respark the fever for
the monster shindig with their single-disc DVD
of the half-forgotten title. The extras are relatively
sparse (only a trailer and a few stills and poster
images to complement the film), but the accompanying
24-page booklet does an impressive job of explaining
the evolution of Mad Monster Party?. Showcasing
some early designs and promotional materials and
written by Rick Goldschmidt, a creepily fanatical
Rankin-Bass aficionado, the booklet also reveals
just why the hell no one completely recalls the
movie to this day.
All in all, it’s an enjoyable watch, though definitely
something you pop in the machine, watch for five
minutes, and then save for next Halloween. Ringing
in at 94 minutes, I couldn’t imagine someone enduring
it for more than one viewing if they hadn’t grown
up with it. But it does have zombie bell-hops
piloting fighter planes in a scene taken directly
from King Kong, which leads me to wonder
if, in fact, I wouldn’t have RSVP’d when invited
to the “Silliest Party of the Year!”
—DEIDRA GARCIA |